- SUCK ME SHAKESPEER NETFLIX MOVIE
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- SUCK ME SHAKESPEER NETFLIX TV
Its not a really great movie too, because the second half follows the formula totally and leads to the obvious happy end and has the "everybodys' got talent"-message mostly of the movies with troubled teenagers have. It is also nice, that while education is a big subject in Germany these years, producing heated political debates and book bestsellers, they do not take the schooling aspect too seriously and keep it easy. Elyas M'barek, Germanys upcoming young male movie star, does a nice and convincing job here, while I did not like him in his former roles. Especially the first half is original since they show Zeki as a kind of guy, who not only does not care for the pupils, but is not afraid to look bad as often in this kind of movies. I expected a run-off-the-mill rom com, but, well, it was little kind of better. He soon gets appointed to the worst class and gets along with a "Dont bother me at all"-attitude for what he clashes soon with Lisi, a young idealistic teacher and former class mate of his (ad sure, the potential love interest of the movie). While looking for the loot of his last robbery, he gets confused as replacement teacher - a great opportunity to take time and slowly dig out his treasure, who is hidden under the schools gym. Its the story of Zeki Müller, a convict who was just released of jail. When I watched it, I did not expect much, thought by the trailers it was stupid, but I have a knack for shitty teenager/school movies.
The film was a pioneering Netflix global acquisition from Germany.In Germany this was the "hot" autumn movie that everybody liked, the critics as well as the audience. Based on the book of the same title, it sold 2.4 million tickets in Germany, for an around-$21.7 million gross, ranking No.
SUCK ME SHAKESPEER NETFLIX TV
release.Ĭonstantin also produced and distributed David Wnendt’s comedy “Look Who’s Back,” which has Adolf Hitler waking up in modern Germany and finally scoring a slot on a TV show. Made on relatively small budgets by Hollywood standards, they can also be put out on wide release in markets like Germany whose P & A costs pale before those for a wide U.S. The movie turns teen comedy conventions on their head, Shoemann told Variety earlier this year: “Our premise was: What would happen if the teachers are the ones who are having problems becoming adults and taking on responsibility, rather than the teenagers?”ĭagtekin’s films are also dramatic examples of the growing number of local comedic blockbusters that increasingly outgross Hollywood comedies around the world. That could be a hint that he already has an idea of at least the first of the titles in the output deal.Ī revival of Germany’s high-school comedy, once a film staple in the country, “Shakespeer” stars M’Barek as an ex-con who can hardly spell but takes on a job as a teacher just to recover the loot from a heist that is buried at the school.
SUCK ME SHAKESPEER NETFLIX PROFESSIONAL
“Constantin Film is the best possible professional home that you can wish for as a filmmaker,” Dagtekin added, saying he was looking forward to new projects with Moszkowicz Constantin’s Torsten Koch Constantin’s Lena Schoemann, producer of “Turkish” and “Shakespeer” and Elyas M’Barek, star of all three of his films. We are very proud to be able to work with Bora for the coming years,” said Martin Moszkowicz, Constantin Film exec board chairman. More than anybody else, he combines zeitgeist, innovation and quality and success. “Bora Dagtekin is an exceptional artist within the German filmmaking community.
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